You “create content” if what you’re after is just money, and “content” is this malleable goo you have to produce and shove it down the algorithm so that it gets “traffic”, another form of goo that gets “funneled” and “converted” into money.
In other words, it loses all (human) meaning.
So yes, if you care at all, you shouldn’t “create content”. You should be writing essays, recording tutorials, training, music, conversations, etc. the kind of things you care about, for an audience whose attention you don’t take for granted, hoping that they too will care at least a little. If they do, they will pay you because they will rather part with money than part with your work.
danielciocirlan
Since 2002 Richard Stallman has spoken again using term "content" this way.
> using the word as a noun to describe works and communications through which people have expressed themselves adopts an attitude you might rather avoid: it treats them as a commodity whose purpose is to fill a box and make money. In effect, it disparages all the works by subordinating them to the box that is full.
I actually really like the term content creator, because it removes the artificial boundaries that come with being a writer, photographer, filmmaker, etc. and just lets you make stuff. The medium doesn't matter if you're a content creator, to a large extent.
The alternative is "art" but that comes with a lot of other baggage that often sounds unintentionally pretentious, especially if you aren't actually creating paintings/sculptures/traditional/contemporary studio art. The word creative used to serve a similar purpose, but nowadays I think it sounds both blasé and pretentious.
Yes, content does come with an expectation that you're creating things for an commercial audience; however, I think content is tied to media, and not merely any sort of created object. And so by extension you are participating in the global media sphere by making content, and not just painting for your own enjoyment.
It’s also worth pointing out that while Michelangelo did think of himself as an artist and a sculptor and painter, those professions were basically tradesmen at the time. The concept of high art, in the purely non-economic way we think of today, didn’t come for centuries after his life.
keiferski
I appreciate this push-back. I keep a running list of words like this...content, product, device, experience, space, vehicle, resource, etc. I can't put my finger on why, but all of these make me distrust the speaker.
glial
Content used to be a bad word, now kids want to become content creators when they grow up.
I was hired at a job the very same day Google released their first Panda update[0]. This was the update that nuked all content farmers from search results. It was complete chaos, I sat in an empty cubicle, not knowing if I should stay or leave while the manager cursed and paced. Our ad revenue went from millions to zero, overnight. Unfortunately, they figured out a trick to game google. Which I guess meant I remained employed.
This resonates with me. I’ve always found the term annoying, because it felt like it was distilling artistic expression down to its most abstract form: content. If all you’re producing is abstract “content,” why should I participate? What makes it special?
sgarland
I’m reminded of other writers, like Seth Godin. He takes a different tone when he speaks of the privilege to share ideas with others.
So the main issue here is that corporate language is dehumanizing? Well, "human resources" might have been a hint, I suppose!
I have to agree. It is dehumanizing. But, it's unfortunate, because the language of business is the language of business. We have this one. We don't have a separate, identically shaped one, made up of nicer sounding words.
Would be nice if we did, though.
andai
I believe there is a material difference between "content" and other modes of creative output: content is defined by a pipeline. It is desired for it's recurring revenue.
You could make the tackiest, most commercial and derivative musical, but it's still not content because it's just one.
You could make the most eloquent, poetic and inventive podcast in the world, but so long as you are still doing weekly releases (with ads, plus an ad free patreon, of course) it is content.
The tragedy is that we want artists to have reliable income, but the business models, incentives and consumption habits that come with the reliable output to provide that reliable income lead us to the ugliness that people blame on "content".
advisedwang
David is the first instance of "awe" I had in my life. I truly feel blessed to have had that qualia, even if for a few seconds, to witness something larger-than-life. https://en.wikipedia.org/wiki/Awe
The fact that so many people report awe feelings with David hints at something very grand about Michaelangelo, or even humanity at large.
Did I feel that way because I did not expect the statute to be so large ? The strength displayed to be so soft ? Was there something in the air ?
The only other instance I had of such a feeling was at the Lake Louise, in Alberta (Canada). In both moments, I could remember the thought of seeing something that could not be in any point better than it is.
comments (10)
In other words, it loses all (human) meaning.
So yes, if you care at all, you shouldn’t “create content”. You should be writing essays, recording tutorials, training, music, conversations, etc. the kind of things you care about, for an audience whose attention you don’t take for granted, hoping that they too will care at least a little. If they do, they will pay you because they will rather part with money than part with your work.
danielciocirlan
> using the word as a noun to describe works and communications through which people have expressed themselves adopts an attitude you might rather avoid: it treats them as a commodity whose purpose is to fill a box and make money. In effect, it disparages all the works by subordinating them to the box that is full.
https://www.gnu.org/philosophy/words-to-avoid.html#Content
sltr
The alternative is "art" but that comes with a lot of other baggage that often sounds unintentionally pretentious, especially if you aren't actually creating paintings/sculptures/traditional/contemporary studio art. The word creative used to serve a similar purpose, but nowadays I think it sounds both blasé and pretentious.
Yes, content does come with an expectation that you're creating things for an commercial audience; however, I think content is tied to media, and not merely any sort of created object. And so by extension you are participating in the global media sphere by making content, and not just painting for your own enjoyment.
It’s also worth pointing out that while Michelangelo did think of himself as an artist and a sculptor and painter, those professions were basically tradesmen at the time. The concept of high art, in the purely non-economic way we think of today, didn’t come for centuries after his life.
keiferski
glial
I was hired at a job the very same day Google released their first Panda update[0]. This was the update that nuked all content farmers from search results. It was complete chaos, I sat in an empty cubicle, not knowing if I should stay or leave while the manager cursed and paced. Our ad revenue went from millions to zero, overnight. Unfortunately, they figured out a trick to game google. Which I guess meant I remained employed.
[0]: https://idiallo.com/blog/content-is-bad
firefoxd
sgarland
https://en.wikipedia.org/wiki/Seth_Godin
xtiansimon
I have to agree. It is dehumanizing. But, it's unfortunate, because the language of business is the language of business. We have this one. We don't have a separate, identically shaped one, made up of nicer sounding words.
Would be nice if we did, though.
andai
You could make the tackiest, most commercial and derivative musical, but it's still not content because it's just one.
You could make the most eloquent, poetic and inventive podcast in the world, but so long as you are still doing weekly releases (with ads, plus an ad free patreon, of course) it is content.
The tragedy is that we want artists to have reliable income, but the business models, incentives and consumption habits that come with the reliable output to provide that reliable income lead us to the ugliness that people blame on "content".
advisedwang
Did I feel that way because I did not expect the statute to be so large ? The strength displayed to be so soft ? Was there something in the air ?
The only other instance I had of such a feeling was at the Lake Louise, in Alberta (Canada). In both moments, I could remember the thought of seeing something that could not be in any point better than it is.
Dependance